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Magix Movie Edit Pro Crack has been a leader in audiovisual media software for more than two decades, notably for its industry-standard Sequoia audio editing software. Its Movie Edit Pro enthusiast-level video editing software competes with software from Adobe and CyberLink, and it even boasts support for 360-degree and 4K content. For the edition, Magix gets vertical video formats (as commonly used in social story posts), social media templates, high-DPI monitor support, 8K editing, NewBlue Filters 5 effects, and an updated Start dialog. These join a full stable of features, such as stabilization, motion tracking, action-cam templates, beat-based editing, and an in-app plug-in store. It’s a worthy upgrade, but our Editors’ choice winner PowerDirector has more features, is easier to use, and is far faster at rendering output. MAGIX Movie Editor Pro is a useful bit of software that lacks a bit in the more advanced departments, but overall does a great job of editing video. Check out our full Movie Editor Pro review for all the details. Our lives are being captured on camera more than ever, as accessibly priced video cameras let anyone shoot their own movies. Thanks to YouTube and social media, it’s easy to share your results with the world. Fortunately, there are loads of great editing tools out there. We’re taking a look at one of them today in this MAGIX Movie Edit Pro review.
Once your clips are in your project, they appear by default as big square thumbnails. This is Movie Edit Pro Premium’s basic interface, designed to keep the editing nice and simple. Top right of the Timeline section are other options represented by a series of icons. The third one from the left offers you a more traditional view, with clips represented by rectangles whose lengths depend on their duration. This migration in complexity is welcome, especially if you’re initially unfamiliar with the editing process. As far as editing is concerned, if you’re at all used to making videos in other apps, you’ll feel right at home here. Everything pretty much works as expected. It’s easy to trim clips and move them around, you can navigate via the keyboard and even the traditional JKL keys which are often used to rewind, pause and forward through the timeline, are implemented here. You also have a series of tools available to you via a row of icons top left of the Timeline section. The one thing that is frustrating to a veteran editor though, and which could confuse you should you wish to eventually migrate to another package, is the fact the tracks are placed in reverse order. In more professional applications, tracks work like layers, and anything on top of one obscures what’s beneath it. Not so here: if you want to place one clip over another, you have to place it underneath it. It’s a different way of thinking which is counter intuitive if you’re used to the more traditional way of working, or just used to the way things word in the real world.
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